Wildlife Photography across the Water: Be Selective

Friday, 17 September 2010

Be Selective

As you are reading this i am driving up to the Great Smoky Mountains for a few days, We have our niece visiting for a week so lots to do and see, It will give me an opportunity to check out a few places for when i return in a couple of weeks to shoot the fall colours,
A couple of days ago i went onto a forum where a guy was talking about getting a Nikon D7000 for wildlife photography, His reason was that it had more pixels than his current camera and would allow him bigger crops, Now i have mentioned this 'digital' practice before and for those who have never used film or slide in the old days when you pressed the button that is what you got-no cropping, but these days that's how people seem to think you shoot, This is his statement
''Wildlife photography often requires much post shoot cropping and thus extremely small image sizes. Certainly not enough pixels for large prints""
Now i replied saying that i totally disagree with the statement and he is either focally challenged (he stated he had lenses up to 300mm) needed some field craft or a hide and extenders to get closer to his subject, All i got back was a statement saying that i wasn't helping by criticizing, That wasn't my intention and i wasn't criticizing, I stated that i rarely crop images and if i do its very little but this was met by disbelief, I think its the accepted norm now to grab a shot at some distance and then crop the hell out of it, which is fine if all you want is images for the web to show how good you are?? but at the end of the day you have nothing else-you cant sell them or even print them so what's the use, Be selective with your shutter finger and only shoot when you can get a good image, Other than that just sit back and enjoy the show, Being old school has taught me well and supplying agencies that take a minimum of 10mp files and i only shoot with a 12mp body means that i could only crop a maximum of 2 mp if i wanted to, Knowing this makes me very selective of what and when i shoot and i don't end up with a hard drive full of rubbish images, Now if the yeti showed up half a mile away of course i would shoot and crop but until that happens i will continue as i am

Dave

2 comments:

mark wood17 September 2010 at 09:41
I think thats a valid point Dave, far too much emphasis is put on what can be done with a crop. As you say in the days of film we had no such luxury I guess that in turn would make better photographers.
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Anonymous17 September 2010 at 13:45
Hello Dave,
Unfortunately your observations are correct and there is a growing trend to just go out, fire at will, crop it up, post it on a forum...... and await the richly deserved plaudits. I’m sorry you’ll have to excuse my sarcasm but the forums are littered with banal images whose authors are lauded like some sort of photographic deity.
The truth is that the images are usually nothing more than a portrait of bird on stick with a plain background all carefully placed on a line of third. In all likelihood they are probably only marginally different to the author’s previous 30 postings.
I recently saw one author who had posted no fewer than 5 portrait images of the same captive bird on the same background with the only difference being some subtle changes in the pose of the bird......yawn.
There are some who go on these photographic days with a pro and can’t manage to take a decent image of the ”Captive subject that’s been carefully stage managed with pleasing scenery”, quite clearly they are beyond help, but they do provide a nice source of income for the pro. However for those that do manage to achieve the dizzying heights of nice sharp images of said placid captive creatures to continually post the same repetitive imitations in the style of their instructor and expect any sort of critical praise defies belief.
To make matters worse a lot of the pros are even lauding praise on some of this cropped and captive tripe. It has actually now got the stage where the authors of these pictorial blights are receiving more replies than the pros. Yes seasoned and widely published pros image are receiving hardly a comment.
Magnolia photography has taken over, it lacks any sort of creativity, little skill with a camera and the field craft of a matador in cattle pen.
The monkeys are now officially running the zoo.
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Bio's

David Courtenay, a self taught wildlife and nature photographer, has been capturing images for over 30 years. He has had a passion for wildlife since early childhood and remembers being glued to the television whenever Survival, Wildlife on One and other natural history documentaries were shown. In the 2006 he swapped his established career for the life of a wildlife photographer, such a move demands a measure of uncompromising passion and commitment.

David has travelled extensively throughout Europe as well as spending more than 7 months in India working with local guides and trackers in search of Bengal Tiger, Asian One horned Rhino and Asian Elephant. He has also photographed Wildlife in Australia, Malaysia, Thailand, Sumatra, Africa, Canada and America. Working closely with Conservation companies he tries to raise funds to help Wildlife that has been put on the endangered list by poaching and habitation loss

Martin Dyer has had a passion for avian wildlife since childhood, particularly raptors. Photography was also another keen interest and it was with the specific availability and control of the whole process that digital offers that Martin was then able to combine the two in 2003. Based in the UK, Martin is a regular visitor to Scotland, specifically the Isle of Mull to watch the Eagles resident there. Other trips to Europe and around the UK are usually part of Martin’s agenda in a typical year.

However, as a firm believer on making the most of the local patch, Martin has spent a lot of time and hard work creating a wildlife garden which is reaping the rewards with many new species and varieties of wildlife. A keen member of a number of wildlife photographic groups, Martin is keen to expand his portfolio into other areas of wildlife, and has already established a wide portfolio of images of fungi.